As a child, my parents made sure my books were a part of my school reading programme.
The children were the ones who were exposed to science fiction and fantasy, and I loved it.
I was an avid reader and it was the only time I was allowed to read the entire series of Star Wars.
At the age of 13, my favourite science fiction book was the novel by John Scalzi called The Great Gatsby.
I remember I couldn’t stop reading it because it was so good.
I was also reading a lot of science fiction, especially in the 1960s and 1970s, when there were a lot more women involved in science and technology.
And as an adolescent, I read science fiction novels by authors such as Robert Heinlein and Isaac Asimov, and it’s this period in my life that really gave me my start.
As a teenager, I was interested in reading more and more science fiction fiction.
I went to conventions in New York, Chicago and San Diego.
But I really enjoyed my time in San Francisco.
I read a lot.
And then, in 1973, I became interested in science.
I decided that I wanted to pursue a career in science fiction.
So, I started reading up on science fiction writers, and then I met one of the people who became my mentor, David Brin, and we became friends.
And so we became a team, and David brought me to one of his writing studios in California.
And then, I took my first writing class, which was called Writing for Writers, and at the end of it, I got my first job, which is at an agency called The A.V. Club.
So I got the chance to work in a very small office and to be part of a very large community of writers.
I really like working with people, and the A.C. Club is one of those places where, for me, working with writers is just about connecting with them and being connected with them, and having a good time doing it.
But there’s so much more to it than that.
I’ve also found that the best way to write is not to write, but to be a part-time writer.
I find that if you’re doing your own thing and don’t have a job, it’s more interesting, I guess, than if you work in an office or with a publisher.
So you can go out and write whatever you want, but at the same time, you’re not in charge of the book, you can’t dictate it, and you can never say, “You’ve got to have this sentence.”
You can’t say, ‘I’ve got this line, here, this line,’ and they have to agree to that.
But you have to write.
I also love working with directors and writers, because they’re so passionate about the things that they’re doing.
I love meeting directors and directors of science, which are people who love to work with writers, so they’re like family.
And I think a lot writers like working in the office.
I have a great time when I’m in the writers’ room and I get to talk to the writers, whether it’s just for a day or a week or a year, because it’s such a pleasure.
It’s not like you’re sitting at home and doing nothing.
You’re doing all the work.
I like the company of other people who are working on their books.
I think writers should be allowed to have creative control, but you should not be required to work for them, as long as they’re happy.
It’s just not right, and that’s what I’ve come to realise.
So, my next book, I’ve written the first draft, and there’s still a lot to come.
And that’s why I’m going to keep writing.
And the more I write, the more of this world I can create.
I hope I can find something that I’ve got a passion for.